GLOSSARY ENTRY (DERIVED FROM QUESTION BELOW) | ||||||
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08:48 Jul 18, 2011 |
German to English translations [PRO] Art/Literary - Art, Arts & Crafts, Painting | |||||||
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| Selected response from: Helen Shiner United Kingdom Local time: 09:09 | ||||||
Grading comment
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Summary of answers provided | ||||
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4 +5 | tonal depth / depth of colour |
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3 +1 | color and spatial depth |
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4 | zones of color shading providing spatial depth |
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3 | colour(ful) spatial depth |
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3 | colored zones giving spatial depth |
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Summary of reference entries provided | |||
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nothing to do with space |
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Discussion entries: 8 | |
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color and spatial depth Explanation: This is what I came up with when I thought of 'Farbe' and 'räumliche Tiefe'. Spell it 'colour' (BE) or 'color' (AE). |
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colour(ful) spatial depth Explanation: my suggestion |
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colored zones giving spatial depth Explanation: … with colored zones giving spatial depth and modulations of luminosity to the mesh of grid structures… Exaples found @ linguee, e.g.: Dabei gelang es ihm, den Bildern räumliche Tiefe zu geben = he succeeded in giving the pictures a spatial depth Reference: http://www.linguee.de/deutsch-englisch/uebersetzung/r%E4umli... |
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zones of color shading providing spatial depth Explanation: This HAS to do with space, as color is one of the ways to convey perspective in a painting. For color perspective see http://www.wetcanvas.com/ArtSchool/Color/ColorTheory/Lesson5... Example sentence(s):
Reference: http://en.wikipedia.org/wiki/Depth_perception#Depth_percepti... |
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tonal depth / depth of colour Explanation: Maybe even saturation of colour/colour saturation -------------------------------------------------- Note added at 3 hrs (2011-07-18 12:41:41 GMT) -------------------------------------------------- Aerial perspective - Due to light scattering by the atmosphere, objects that are a great distance away have lower luminance contrast and lower color saturation. In computer graphics, this is often called "distance fog". The foreground has high contrast; the background has low contrast. Objects differing only in their contrast with a background appear to be at different depths. The color of distant objects are also shifted toward the blue end of the spectrum (e.g., distant mountains). Some painters, notably Cézanne, employ "warm" pigments (red, yellow and orange) to bring features forward towards the viewer, and "cool" ones (blue, violet, and blue-green) to indicate the part of a form that curves away from the picture plane. http://en.wikipedia.org/wiki/Depth_perception -------------------------------------------------- Note added at 3 days6 hrs (2011-07-21 15:25:15 GMT) Post-grading -------------------------------------------------- Thanks, Catherine |
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Grading comment
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