sich mit einem Künstler auseinandersetzen

English translation: to engage with / respond critically to the work of an artist

GLOSSARY ENTRY (DERIVED FROM QUESTION BELOW)
German term or phrase:sich mit einem Künstler auseinandersetzen
English translation:to engage with / respond critically to the work of an artist
Entered by: Helen Shiner

10:55 Mar 12, 2012
German to English translations [PRO]
Art/Literary - Art, Arts & Crafts, Painting
German term or phrase: sich mit einem Künstler auseinandersetzen
...enstand eine Fotoserie in der er sich mit Egon Schiele auseinandersetzte.

in which he closely examined the work of Egon Schiele


Sounds too lame for "sich auseinandersetzen" somehow

in which he exhaustively explored with the work of... ??

Grateful for any better suggestions
Lesley Robertson MA, Dip Trans IoLET
Austria
Local time: 06:59
to respond critically to the work of an artist
Explanation:
or to explore critically the work of an artist (Ramey obviously offered 'explore' first

The response is, however, to the artist's work/oeuvre not to the artist himself. This always needs adjusting when translating GER-EN in my view.

--------------------------------------------------
Note added at 42 mins (2012-03-12 11:38:23 GMT)
--------------------------------------------------

Like Bob von Hallberg and Danielle Allen, I would urge us to pay more attention to that critical thinking which takes “creative” or “aesthetic” forms—the poem or painting, film or performance that executes its own form of critical inquiry into the conditions and controlling ideas of contemporary life, or the translation or new poem or painting that responds critically to another poem or painting.
http://www.uchicago.edu/research/jnl-crit-inq/issues/v30/30n...

"Critical Response is a structured process that allows responders to pay close attention to a particular piece of art, text or a performance.” This process is one that we as artists can use when dialoguing with a viewer about our art, or on our selves when we find ourselves engaged with someone else’s art that we may or may not “get”. Five questions are to be asked and responded to (with emphasis on “There are no wrong answers”) - The Critical Response Tool:
http://opd.mpls.k12.mn.us/sites/daf1e7b3-5a92-4df1-9b5c-6718...
http://creativityjourney.blogspot.com/2007/10/critical-respo...

Susan Wides: Hudson Valley: Mannahatta to Kaaterskill is a mid-career survey of Susan Wides’ investigation of New York City and its surrounding landscape in 50 large-scale photographs. This exhibition represents Wides’ fourteen-year study of the perception of place using sites from the urban-rural spectrum along the Hudson River. Wides’ exploration begins at the historical ‘source’, the Catskill /Hudson Valley region of the Hudson River School, and continues in suburban Westchester, and on to the city. With her camera, Wides creates a transformative vision expressing her intuitive and critical response to the landscape, cityscape, and social environment.
http://www.susanwides.com/

--------------------------------------------------
Note added at 44 mins (2012-03-12 11:40:13 GMT)
--------------------------------------------------

One could also more simply say 'to investigate Schiele's work and to respond in a series of photographs.'

--------------------------------------------------
Note added at 2 days10 hrs (2012-03-14 21:27:18 GMT)
--------------------------------------------------

How about, given the new context, 'to engage with'. A photoseries in which he engaged with the work of E Schiele?

--------------------------------------------------
Note added at 2 days10 hrs (2012-03-14 21:34:19 GMT)
--------------------------------------------------

There are few things more topical than war, and the art-world loves to reflect on the topical. The proliferation of biennials around the world is one of the structures perpetuating this trend, which ultimately filters down to museums and galleries. For me, the question is not about the legitimacy of this as a thematic for art, but more about the nature of the intention, the specific strategies employed by artists and institutions to engage with such subject matter, and the relationship to audiences. The UK, like any other nation (but perhaps as we’ve been more implicated in it over recent years), has had a lot of exhibitions and discussion events on this theme.
http://www.axisweb.org/dlForum.aspx?ESSAYID=18025

Numerous international exhibitions and biennials have borne witness to the range of contemporary art engaged with the everyday and its antecedents in the work of Surrealists, Situationists, the Fluxus group, and conceptual and feminist artists of the 1960s and 1970s. This art shows a recognition of ordinary dignity or the accidentally miraculous, an engagement with a new kind of anthropology, an immersion in the pleasures of popular culture, or a meditation on what happens when nothing happens. The celebration of the everyday has oppositional and dissident overtones, offering a voice to the silenced and proposing possibilities for change.
http://mitpress.mit.edu/catalog/item/default.asp?tid=11411&t...

Portraiture itself is an ancient, and often rather conservative, practice. Oxford Art Online, a widely accepted academic source, cites a 1974 British Museum catalog that defines a portrait as an image “in which the artist is engaged with the personality of his sitter and is preoccupied with his or her characterization as an individual.”
http://www.nytimes.com/2011/05/01/nyregion/in-these-portrait...

You could then use it as a counterpoint to 'immersed himself in' in the next sentence/paragraph.

--------------------------------------------------
Note added at 6 days (2012-03-19 08:38:10 GMT) Post-grading
--------------------------------------------------

Thanks, Lesley. Glad it occurred to me at the last!
Selected response from:

Helen Shiner
United Kingdom
Local time: 05:59
Grading comment
Thank you Helen. I went with "engage with".
4 KudoZ points were awarded for this answer



Summary of answers provided
3 +5delved into/explored/probed into/confronted himself with
Ramey Rieger (X)
4 +4to deal with/interact with
Kirsten Bodart
3 +4analysed the work of
Wendy Streitparth
3 +4to respond critically to the work of an artist
Helen Shiner
5examined, analyzed and discussed the work of .....
Mary Roberts
4dedicated himself to the analysis of
Randall Nall
3 +1...in which he *took on* the work of...
Stephen Reader
4with reference to, based on, inspired by, investigated, explored, influenced by,
thefastshow
2 +1grapple with the work of an artist
Nicola Wood
3to focus on / to address (the works) of xy
Gert Sass (M.A.)


Discussion entries: 8





  

Answers


8 mins   confidence: Answerer confidence 2/5Answerer confidence 2/5 peer agreement (net): +1
grapple with the work of an artist


Explanation:
If you want to keep something of the figurative image, suggesting it is no easy task

Alternatives for that might be tackle, attempt to get to grips with.


Nicola Wood
Austria
Local time: 06:59
Works in field
Native speaker of: Native in EnglishEnglish
PRO pts in category: 4

Peer comments on this answer (and responses from the answerer)
agree  Horst Huber (X): I wish you would rate it higher than "2". This is what the German says; we should not translate what we think the writer should have set down.
4 hrs
  -> Thank you, Horst. I rated it only 2 as it feels a little colourful for what is normally translated with something more neutral, usually along the lines of analysed or examined, but I was responding to Lesley's comment about this feeling inadequate.
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4 mins   confidence: Answerer confidence 3/5Answerer confidence 3/5 peer agreement (net): +4
analysed the work of


Explanation:
-

--------------------------------------------------
Note added at 9 mins (2012-03-12 11:04:56 GMT)
--------------------------------------------------

or better

analysing the work o/devoted to the work of

Wendy Streitparth
Germany
Local time: 06:59
Native speaker of: English
PRO pts in category: 8

Peer comments on this answer (and responses from the answerer)
agree  Randall Nall: sorry, wendy, i see your note says basically the same thing as my suggestion.
23 mins
  -> Thanks Randall - no problem.

neutral  Helen Shiner: Slightly problematic in that the response is in the form of a series of photos. Analysis is part of it but not all, I think./Sorry, but I am definitely not keen on 'devoted to' but our Asker might well prefer it.
28 mins
  -> I agree, I would also go for my second suggestion "devote".

agree  Stephen Reader: w/ devoted cos allows t' intuitive suggested in additional context @ 'Discussion'; & w/Helen
3 hrs
  -> Thanks, Stephen. Am also in favour of devoted, but it occurred too late!

agree  Cilian O'Tuama: I like "devoted" here
10 hrs
  -> Thanks, Cilian

agree  Paul Cohen: Was für eine Qual der Wahl! Plenty of creative suggestions, but I'm with "devoted" here.
13 hrs
  -> Many thanks, Paul - hope you're recovering from the dilemma!
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12 mins   confidence: Answerer confidence 3/5Answerer confidence 3/5 peer agreement (net): +5
delved into/explored/probed into/confronted himself with


Explanation:
take your pick - or not - as you like.

Ramey Rieger (X)
Germany
Local time: 06:59
Native speaker of: English
PRO pts in category: 12

Peer comments on this answer (and responses from the answerer)
agree  BrigitteHilgner: Given the additional information provided by the asker, I think "explore" might fit here, followed by "delved into" (imaginiert sich hinein).
2 hrs
  -> Thank you Brigitte, yes, more than one will be needed.

agree  Stephen Reader: W/ delve, given Lesley's 'mehr Kontext' in Discussion section - where impression is more of intuitive than analyt. procedure (then again, there's intuitive analysis?)
2 hrs
  -> Thanks Stephen, yes, there is intuitive analysis - strange, but true.

agree  Eleanore Strauss: Agree with explore, but there should be more. Another suggestion here of "grappled" with seems like one of the terms that is very appropriate. Confronted himself with is incorrect usage
3 hrs
  -> Thanks ElliCom, yes, yes and yes, I think a rephrasing of the source text will be necessary

agree  philgoddard: Minus the "himself with".
4 hrs
  -> yea, that sorta blew the roll I was on! Thanks, Phil, enjoy.

agree  hazmatgerman (X): explored
10 hrs
  -> Why, thank you Mr.!
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15 mins   confidence: Answerer confidence 5/5
examined, analyzed and discussed the work of .....


Explanation:
I think you examine the art, make an analysis and then discuss the piece of art

Mary Roberts
Local time: 00:59
Native speaker of: Native in GermanGerman

Peer comments on this answer (and responses from the answerer)
neutral  Helen Shiner: The response is in the form of a series of photos not an essay.
5 mins
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23 mins   confidence: Answerer confidence 4/5Answerer confidence 4/5
dedicated himself to the analysis of


Explanation:
entering the fray!


    Reference: http://tinyurl.com/88m5zyk
Randall Nall
Local time: 06:59
Native speaker of: English
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21 mins   confidence: Answerer confidence 4/5Answerer confidence 4/5 peer agreement (net): +4
to deal with/interact with


Explanation:
In terms of art, an artist gets struck by the work of another and 'deals' with it in an emotional way. In a LEO discussion the term 'interaction' was mentioned which I find rather fitting.

An artist will incorporate the issues and maybe style or so that he found the artist he was struck by was addressing and thus will 'mold' this into his own. I think interacting it used in this way in art.

--------------------------------------------------
Note added at 27 mins (2012-03-12 11:23:36 GMT)
--------------------------------------------------

So '[the artist] produced/created a series of photos in which he interacted with the work of (painter) Egon Schiele.'
I think 'entstand' here is the German making the photos the subject, as the German likes to do. In English it is the artist who is the subject usually.

Kirsten Bodart
United Kingdom
Local time: 06:59
Works in field
Native speaker of: Native in DutchDutch, Native in EnglishEnglish

Peer comments on this answer (and responses from the answerer)
agree  Stephen Reader: w/ interact with, given Lesley's +contxt @ 'Discussion' - suggests sth. emotive, 'ganzheitlich', an identification
2 hrs
  -> thanks!

agree  Patrick Hubenthal: Now that we have more context, it seems OK to say "a photo series dealing with Egon Schiele" -- since it's about Schiele's persona as well. The work gets mentioned in the next sentence anyway.
3 hrs
  -> thanks!

agree  Clarissa Hull
11 hrs

agree  Johanna Timm, PhD: deeply engaged with the work of ES?/ Oh, I see Helen picked this up in one of her additions to her original entry and in the discussion box!
1 day 5 hrs
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3 hrs   confidence: Answerer confidence 3/5Answerer confidence 3/5 peer agreement (net): +1
...in which he *took on* the work of...


Explanation:
Just another variant for his 'engagement with'... (& there's another), without making it necessarily consciously 'analytical', since the context we have so far wd suggest an intuitive/committed/identifying process. @ Lesley, of course, the remaining surrounding text may swing you back towards 'critical', 'analytical', etc. Greetings/S.

Stephen Reader
Local time: 06:59
Specializes in field
Native speaker of: English
PRO pts in category: 115

Peer comments on this answer (and responses from the answerer)
agree  Helen Shiner: definitely in right direction given context - why not from start?/He, he, could be / could have been infinitely worse!
4 mins
  -> Thanks, Helen; as for author's critical skills, dunno - my tutor at uni. swore (at a much later meeting) that I was convinced I 'was' Kafka... OK, at 20 or so, naja, gehört(e) wohl dazu.
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9 hrs   confidence: Answerer confidence 4/5Answerer confidence 4/5
with reference to, based on, inspired by, investigated, explored, influenced by,


Explanation:
you could either choose to express it indirectly : he produced a photo series based on (inspired by/influenced by) the works of Egon Schiele (or just Egon Schiele if he picked the artist himself as a theme)

or use the terminology I could read in my assignments at uni : he "investigated" the works of Egon Schiele; in which he "explored" the oevre of Egon Schiele; "influenced" by the works; or also quite nice : "with reference" to Egon Schiele...

ok, nuff said .. I'll look up some more if you like :))

thefastshow
Germany
Local time: 06:59
Works in field
Native speaker of: German
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1 day 6 hrs   confidence: Answerer confidence 3/5Answerer confidence 3/5
to focus on / to address (the works) of xy


Explanation:
These are the most natural which come to mind IMO. I also like "to fathom", "probe", etc., but these would more closely correspond to other German expressions (ergründen, auf den Grund gehen, erforschen, etc.), whereas "sich auseinandersetzen" is pretty standard usage in this context.


Gert Sass (M.A.)
Germany
Local time: 06:59
Specializes in field
Native speaker of: German
PRO pts in category: 8
Login to enter a peer comment (or grade)

19 mins   confidence: Answerer confidence 3/5Answerer confidence 3/5 peer agreement (net): +4
to respond critically to the work of an artist


Explanation:
or to explore critically the work of an artist (Ramey obviously offered 'explore' first

The response is, however, to the artist's work/oeuvre not to the artist himself. This always needs adjusting when translating GER-EN in my view.

--------------------------------------------------
Note added at 42 mins (2012-03-12 11:38:23 GMT)
--------------------------------------------------

Like Bob von Hallberg and Danielle Allen, I would urge us to pay more attention to that critical thinking which takes “creative” or “aesthetic” forms—the poem or painting, film or performance that executes its own form of critical inquiry into the conditions and controlling ideas of contemporary life, or the translation or new poem or painting that responds critically to another poem or painting.
http://www.uchicago.edu/research/jnl-crit-inq/issues/v30/30n...

"Critical Response is a structured process that allows responders to pay close attention to a particular piece of art, text or a performance.” This process is one that we as artists can use when dialoguing with a viewer about our art, or on our selves when we find ourselves engaged with someone else’s art that we may or may not “get”. Five questions are to be asked and responded to (with emphasis on “There are no wrong answers”) - The Critical Response Tool:
http://opd.mpls.k12.mn.us/sites/daf1e7b3-5a92-4df1-9b5c-6718...
http://creativityjourney.blogspot.com/2007/10/critical-respo...

Susan Wides: Hudson Valley: Mannahatta to Kaaterskill is a mid-career survey of Susan Wides’ investigation of New York City and its surrounding landscape in 50 large-scale photographs. This exhibition represents Wides’ fourteen-year study of the perception of place using sites from the urban-rural spectrum along the Hudson River. Wides’ exploration begins at the historical ‘source’, the Catskill /Hudson Valley region of the Hudson River School, and continues in suburban Westchester, and on to the city. With her camera, Wides creates a transformative vision expressing her intuitive and critical response to the landscape, cityscape, and social environment.
http://www.susanwides.com/

--------------------------------------------------
Note added at 44 mins (2012-03-12 11:40:13 GMT)
--------------------------------------------------

One could also more simply say 'to investigate Schiele's work and to respond in a series of photographs.'

--------------------------------------------------
Note added at 2 days10 hrs (2012-03-14 21:27:18 GMT)
--------------------------------------------------

How about, given the new context, 'to engage with'. A photoseries in which he engaged with the work of E Schiele?

--------------------------------------------------
Note added at 2 days10 hrs (2012-03-14 21:34:19 GMT)
--------------------------------------------------

There are few things more topical than war, and the art-world loves to reflect on the topical. The proliferation of biennials around the world is one of the structures perpetuating this trend, which ultimately filters down to museums and galleries. For me, the question is not about the legitimacy of this as a thematic for art, but more about the nature of the intention, the specific strategies employed by artists and institutions to engage with such subject matter, and the relationship to audiences. The UK, like any other nation (but perhaps as we’ve been more implicated in it over recent years), has had a lot of exhibitions and discussion events on this theme.
http://www.axisweb.org/dlForum.aspx?ESSAYID=18025

Numerous international exhibitions and biennials have borne witness to the range of contemporary art engaged with the everyday and its antecedents in the work of Surrealists, Situationists, the Fluxus group, and conceptual and feminist artists of the 1960s and 1970s. This art shows a recognition of ordinary dignity or the accidentally miraculous, an engagement with a new kind of anthropology, an immersion in the pleasures of popular culture, or a meditation on what happens when nothing happens. The celebration of the everyday has oppositional and dissident overtones, offering a voice to the silenced and proposing possibilities for change.
http://mitpress.mit.edu/catalog/item/default.asp?tid=11411&t...

Portraiture itself is an ancient, and often rather conservative, practice. Oxford Art Online, a widely accepted academic source, cites a 1974 British Museum catalog that defines a portrait as an image “in which the artist is engaged with the personality of his sitter and is preoccupied with his or her characterization as an individual.”
http://www.nytimes.com/2011/05/01/nyregion/in-these-portrait...

You could then use it as a counterpoint to 'immersed himself in' in the next sentence/paragraph.

--------------------------------------------------
Note added at 6 days (2012-03-19 08:38:10 GMT) Post-grading
--------------------------------------------------

Thanks, Lesley. Glad it occurred to me at the last!

Helen Shiner
United Kingdom
Local time: 05:59
Specializes in field
Native speaker of: English
PRO pts in category: 275
Grading comment
Thank you Helen. I went with "engage with".

Peer comments on this answer (and responses from the answerer)
agree  Lancashireman: ... // Stephen has articulated my thoughts perfectly.
2 hrs
  -> Thanks, Andrew

agree  Stephen Reader: Definitely w/ response, shifting focus to this (make verbal? Artist responds...) (maybe less w/ 'critical', going on contxt so far @ 'Discussion')
2 hrs
  -> Thanks, Stephen - yes, critically not looking so good now we have context!! Sounds more like a visceral, fanciful response, or is that just the author being unable to write about art, do you suppose?!

agree  British Diana
21 hrs
  -> Thanks, British Diana

agree  Damian Harrison (X)
2 days 23 hrs
  -> Thank you, Damian
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