No guardan el eje
English translation: Are not in axis/don't stand in axis.
| 02:16 Feb 2, 2007 |
| Spanish to English translations [PRO] Media / Multimedia | |||||||
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|  Selected response from: Juan Jacob Mexico Local time: 19:39 | ||||||
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| Discussion entries: 2 | |
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Answers
17 mins confidence: 
Are not in axis/don't stand in axis. Explanation: Es decir, los personajes no se ven, sino a través del espejo. No muy seguro. |
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57 mins confidence:
cannot make direct and continuous eye contact Explanation: |
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2 hrs confidence:
(They) Don't respect / break their Axis-of-action / Action Axis / 180 Degree line Explanation: EL EJE En cine, el EJE es una línea imaginaria que la cámara no puede cruzar. Bueno, como poder... Si no tienes mucha experiencia más vale que te ciñas al eje. [...] Si te saltas el eje a la torera dará la impresión de que tus personajes cambian de posición. El error es fácil de nombrar: SALTO DE EJE. Para hacerlo bien, si deseas ir cambiando de plano mientras estos dos personajes charlan, la cámara deberá encuadrar a uno y a otro dentro de uno de los lados que marque el eje. [...] Como verás, siempre mantenemos la cámara dentro de uno de los lados que nos marca el eje imaginario. El EJE también puede ser relativo. Pueden haber varios ejes en una escena y que dependan de cosas distintas. Y en una escena el eje puede ir variando. Y si el espacio escénico se reconoce lo suficiente te puedes saltar el eje sin dar una impresión equivocada de lo que quieres plasmar. Ya te he liado. http://www.cinemafutura.com/curso/curso02.html ------------------------------ The 180° rule is a basic film editing guideline that states that two characters (or other elements) in the same scene should always have the same left/right relationship to each other. http://en.wikipedia.org/wiki/180_degree_rule ----------------------------------- The Continuity System--Film Editing An invisible line, known as the 180 DEGREE LINE or AXIS OF ACTION, runs through the space of the scene. The camera can shoot from any position within one ... http://cla.calpoly.edu/~SMARX/courses/continuitysys.html camera angles [Archive] - dvcreators.network forums Stay within the 180 degree line. the 180 Degree line, aka your Action Axis (You don't want to cross this so you do not confuse your viewers) ... http://dvcreators.net/discuss/archive/index.php/t-1432.html camera angles - dvcreators.network forums the 180 Degree line, aka your Action Axis (You don't want to cross this so you do not confuse your viewers). __________________ iThink, therefore iMac ... http://dvcreators.net/discuss/showthread.php?t=1432 Hypertext Syntagmas, Miles, JoDI ... for to move the camera to the other side of the 180 degree line would mean that ... stay on the same side of the imaginary axis between the characters, ... http://jodi.tamu.edu/Articles/v01/i07/Miles/comments/noticin... Hypertext Syntagmas, Miles, JoDI ... generally establishes the axis of action that informs the 180 degree rule. ... an establishing shot, establishing a 180 degree line that is not crossed. ... http://jodi.tamu.edu/Articles/v01/i07/Miles/comments/noticin... axis of [email protected] This imaginary and invisible line is called the axis of action, and is also known as the center line or 180 degree line. When filmmakers go to shoot a scene ... http://everything2.com/index.pl?node_id=1674300 180 Degree [email protected] Ingmar Bergman crosses the 180 degree line in Persona, while many non-Western filmmakers (who have, perhaps, not been so firmly indoctrinated with the ... http://www.everything2.com/index.pl?node_id=1449130 캡쳐한 글의 출처 hamlet on the ramparts AXIS OF ACTION: An invisible line, known as the 180 DEGREE LINE or axis of action, runs through the space of the scene. The camera can shoot from any ... http://shea.mit.edu/ramparts/commentaryguides/glossary/filml... Comm 150, Exam 2 d. positioned perpendicular to a fixed axis of action. ___ 07. [Beastie Boy video] There ... c. the 180-degree line breaks down and, then, is reestablished ... http://www2.yk.psu.edu/~jmj3/150mterm.htm drbill home The 180 degree line. This is an axis-of-action and most scenes try not to violate the line. If we keep all of the camera positions to one side of the a axis ... http://www.svsu.edu/~wwilliam/courses/notes/film_notes.html |
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